Production music refers to music that is owned by production music libraries.
Usually the music is composed specifically for use in Film, Radio, TV, Business as well as multimedia.
Since these libraries generally own all of the rights in the music they can licence it directly without the requirement to gain permission from writers or composers. It can as a result be licensed immediately with a transparent price to the end user.
The good thing about a production music library would be that it is able to cater to a broad range of musical styles and themes with numerous libraries holding ten of a huge number of cuts and tracks.
Production music gives producers and directors a platform from which to choose audio that is suited for their brief or project. Libraries frequently have tracks relevant to current musical genres, culture, charts and styles. Many libraries will hold music across the entire spectrum of music history and include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary collections or themes created for media or business applications.
The convenience factor means that any person who needs production library music can pick from a huge assortment of styles, access the audio from one place and learn precisely how much it’ll cost. Most libraries have Rate Cards so producers can budget for the prices of a project in advance.
Their is the peace of mind that a great many libraries will usually have a piece of music suitable for things of course, if not will allow you to to find some. Most will offer custom music production services.
History of Production Music
Typical music for production has been around since the days of silent cinema. In those days the audio was supplied in written form and sent over to small orchestras and bands who’d perform the sound live in time with the film.
Since then a lot of production music companies have established audio and sound libraries. These include Boozy & Hawkes, KPM, Sony BMG, EMI, Extreme Music, Sonoton, Cavendish, Many others and de Wolfe.
Traditionally, music libraries sent out the music collections of theirs on CD. These days it is much more apt to be accessed via the internet, file downloading, hard disk or perhaps CD’s, CD-Rom, DVD-Rom
Production Music Online
The Internet has enabled music for production to be distributed online via downloading. It’s also presented a platform for corporations which are new and libraries to set up independently.
There are many production music libraries online. The price tag and quality is able to vary enormously as can the actual license terms or even use of the music. However production music downloads now appear to be the preferred method for many media professionals around the earth.
Royalty Free Music
Royalty free music varies somewhat to the attributes of production music.
Production music has often been licensed on a pay-per-use basis. That’s you pay for every single use of the music – In case you would like to utilize music on a television set show then you license the rights for that. In the event that you need to in addition use that music on an interactive CD Rom then you would need to license those rights.
Royalty free music on the other hand offers customers a way of buying a CD of the music that can then be used as often as you like without any further payments or fees.
However the Internet and other issues has meant that lots of royalty free music libraries now operate more like traditional production music libraries and the other way round.
This is probably due to the progress of independent music libraries who can produce their own personal finance and license models according to their own personal marketplace requirements.
Sync Fees and Dub Fees
A Production music company charges a fee for the licensing of the music of theirs. This is frequently referred to a’ Synchronization Fee’ or’ Dub Fee’. This’s among the main income streams for music libraries.
Performing Rights Organisations
Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, artists and publishers.
Recommended–> : Record Label
Performance royalties are generated when music is broadcast on TV or Radio or even played in places that are public like other business spaces and restaurants.
Music that is publicly performed or perhaps broadcast has to be licensed. For example a broadcaster like the BBC or SKY has to pay to broadcast music as do restaurants, users and shops of music on hold systems and others.
These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will be collected and split up between all of the members of that particular PRO.
Most countries have their own PRO such as PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have a lot more than one.
See the FULL LIST of Performing Rights Organisations
Music libraries are generally also music publishers. Their musical works are published via a PRO and any broadcast or public performance of that music will accrue performance royalties.